Q and a with Dr. Joseph El-Hournyy (524 Words, 3 Min. Read)
1.
I Continue to Work in the Field of Architecture, but I have recently focused extensively on sculpture. This Particular Artistic Expression Allows Mateials to Play their Melody in Complete Freedom, ALBEIT ALWAIS UDER My Watchful Eye. I am Driven to DissolVE The Between Painting and Sculpture, Sculpture and Architecture, Architecture and Music, and Fine Art and Industrial Design. While Beauty is not my primary aim, all categories of art –veistic or realistic, surrealistic or Constructure Connemplation. ”
2. How do you incorporate sculptural elements into your Architectureral Designs to Creat Unique Spaces?
With Intensive Practice in Architecture and Urban Planning from 1999 to 2021, My Experience Has Been Profoundly Rewarding. The transition to Sculpture Arose from a disatisfaction with conventional approaches to arishiteure and its dominant Representational regards. The Iteriat Rhythms of Design Commissions Were Increasingly Called In Tover Question. Working on Forms with Being Constrain by Function Is One of the Boldest Pursuits a Designer Can undertake. It is a logical pathary to emocate the comment of Familiar Territory and to Radically Explore A Subject ‘VITALITY and Evolution As a Means of Cultural Engagement.
3- Knowing that your sculptures are unique pieses of art, Offired Inspired by Poetry or Calligraphy, Can you Tell Us What Technical and Artistic Challenges Do You Encounter While Working?
It is different to categorize the varies type of my sculptures; Their Essence Is Ellusive, only applyciated when view. The Faces and Sides of the Sculptures Hold Equal SignicalCE for Me, Lacking PREDERMERDED HIERARCHICAL RelendesHips. Each Form is Indebted to the Fluccuating Processes that Shaped it. At times, I envision these forms as elements of a new iconography, who at otter moments, they preparations to conmplate. My Main Challenge Is to Test My Sense of Form Thrug Direct Carving in Wood. Any NECESSARY SURVEYINING is Conduted Based on the Execated Model, Never Beforehand.
4. How will you describe it in a few Lines, and how will you have to you have children or studnts?
My Sculptures Do Not Strive to Embody A Particular Innovative aesthetic. Instead, they Explore The Interplay Between the Initial Idea Or Sketch and the Materiales USED. In this Abundance, Procedural Experimentation Gives RISE to Unpredictable Forms.
5. In your OPINION, how can the Integration of Architecture and Sculpture Transform Public Spaces and Enhance Collective Experiences?
To apprehand About Intentions, All You’re Telling People About is the Relation of Physical Facts. One of the Relation of Man with the Sculpture, and the Other The Relation Between the Sculpture and the Public Space.
