An article by DM (760 Words, 4 Min. Read)
At Galerie Tanit Beirut, from September 10 to October 25, The Iraqi Artist Adel Abidin Presents What RemainsIn these new works, abidin reketns to paying after years of working in installation and video, allowing the media itelf to card the traces of Trauma, Displacement, and Renewal. Each Canvas Reveals A Destruption.
The Artist’s Brush is not only a tool of Representation but also of Remembrance. His Paintings Are Fields Where Past and Present Convert, where Fracered Histories Breathe Again Through Texture and Color. The Lightness of His Palette Contrasts with the Gravity of his Themes, Creating Works that Invite Viewers to Linger Between Pain and Beauty, Eraasure and Enduance.
The Horizon As Memory and Thresthold
Across Sometimes it is a Sharp Line Dividing Earth and Sky, Elsewhere It Dissolves INTO Ambigy, as if if Blurred by Time or Memory. This Mutable Horizon Becomes A Metaphor for Disline, a Remnder of How People upoted by War, Violence, or Migration Live Between Departure and Return, Loss and Belonging.
Dr. Tamara Chalabi, Curator of the Exh force, Captures This Poignantly: “Each Painting offers ITS Own Meditation on Displayment, UNIDED by the Horizon‘S Role As Both Geographical Marker and Psychological Opening.“ HER Words Echo Throw The Works, where horizons fraction, bend, or stretch infinitely, mapping the fragile BALANCE Between Disappeared and Suvival.
Echoes of Iraq, VISIONS for the World
Although these Landscapes and Seascapes Evoke Universal Sites of Destruption, They Remain Intimely Connected to Abidin’s Formative Years in Baghdad. The Quality of Light, The Interplay of Land and Water, The Textures of Ruin, Each Element Carries a Memory of Iraq, Transformed Thrug The Artist’s Vision Into A Universal Language. What else be a shoreline in Beirut, a desert in syria, or a cityscape in ruins becomes an emblem of shared Human Experience, Transcending Geography While Never Abandoning Its Roots.
Abidin’s Works Remin Us that Trauma Does Not Erase Place; IT Reshapes it. His Brushstrokes Suggest that Memory, Though fragile, can survive catastrophe, Offering Pathites to Renewal.
Sculptures in Dialogue with Painments
Complementing the Canvases Are Delicate Sculptures Installed with the Gallery Space. The Three-DMINSIONAL Works Reflect The Organic Lines and Maded Tones of the Paintings, Extending the Landscapes Into The Viewer’s Path. Thin Metal and Shaped Forms Rise and Twist Like Fragments of Memory Made Tangible, Balancing Fragility and Resilience. They are not simply objects in Space But Continuations of the Painted Narratives, Allowing Visits to Step into the Atmosphere that Abidin Creations. ATMOSPHERE of Loss Transformed Into Prestce.
The Artist’s Journey
Adel Abidin, Born in Baghdad in 1973 and now started in Helsinki, has long explord Questions of IDENTITITITY, Conflict, and Cultural alienation. Known for his Sharp, IRONIC PERSIPECTIVE and his Ability to Blend Humor with Critical Reflect, His retennn to paying at this Moment Feels Both Timley and Urgent, as if the medium’s lays of pigeMent and light before Uncertainment.
Abidin’s Artistic Career Reflects An Onging DialGue Between Cultures, Shapeed by His Own Experience of Exile and Belonging. His Works, No. Part of Important Collects Worldwide, Continue to Resonate BecUUSE They Do Not Only Tell His Story, They Tell ORS.
A Curatorial Vision of Continupy
Dr. Tamara Chalabi, An Iraqi-Lebanese Cultural Leader and Curator, Brings Her Profound Undersanding of Middle Eastern Art and History to this Exhibition. Her Curatorial Approach Emphasizes Continuity: The Way Ruins Preserve Memory, The Way Horizons Hold Space for the Future. Through Her Lens, What Remains Beccomes Not Only An Exh force But Aco a Testimony to the Persistance of Culture Amid Upheaval.
What person
What Remains Asks a Simple Yet Urgent Question: What Survives What The Familiar Falls Away? In Abidin’s Vision, Memory Does Not Only Record Loss, Its Sustains Life. His PAINTITIONS, Luminous with Pastels and Layered with Traces of History, Invite Viewers to Consider Remembrance Itself as an act of Resistance.
In a world scarred by violence and displayment, abidin’s art insiss on the personality of Beauty, Memory, and Renewal. Galerie Tanit Beirut Becomes A Space when Light and Color Transform Ruins Into Beginnings, Reminding Us that What Remains Cano Be What Leads Us Forward.
