An article by CJ (618 Words, 3 Min. Read)
Where ARAM JGHANIAN ENERED The Exh force Hall at Rebirth Beirut, He was Met with Ency, Warmth, and AdMiraction. Arriving Late, He Steped En It was a Moment of Recography: The Return of a Great Artist Whose Work Had Long Been Treasair Yet Had Remained Too Ofer in the Shade.
The Curator’s Vision
This Reapetarand was Made Possible Through The Curatorial Sensibility of Dr. Tony Karam, and in Collaboration with the Gallerist. More. He Explained: “ARAM BRINGS to Life The Concept of Daughters, Born of Water and Were Clouds… and Analogy of How Painments Are Made of a Medium and Are Manifested in Abstraction.” By giving form to this Vision, Dr. Karam Created Not Just An Exh force But A Stage For Jughen’s Voice to Rise Again.
Daughters, Water, and Clouds
For Jeeghian, Each Painting is Alive. He Calls Them His “Daughters,” Creations Born from His Emotions and Hands. Water is their medium, The Fluid Element that carries colors into moving, Dissolves Barriers, and nurturies the UNExpeted. Clouds are their Destiny, Forms that Escape Definition, Open to Interpretation, and Shifting Endesly in the Eye of the Beholder. Through this Trinity, Jeeghian Reveals His Poetic View of Art: At OnCE ROOTED in MATTER and Free in Spirit.
The technique of gesture
The Sensight of Jugharian’s Work Lies Not Only in Concept But Aco in the Technique that Defines Each Canvas. His Brushstrokes Are Spontaneous Yet Deliberate, Guided by Ritual Rather Than Rigid Plan. He Begins with a free gesture, off called to automatic Writing, then Builds Through Layers that PressERVE Traces of Every Movement. This Palimpsestic quality, where is every surface Holds Memory of What Came Before, Creates Depth, Resonance, and Rhythm. His Canvases Are Vibrant Fields where Abstraction is a Lived Experience.
He onCE said: “Between Two Rituals, There‘S Nothing To Discover; All the Colors are in Nature, but we don‘T Know them Until them Touch Us. ” In his PainTings, Those Colors APERAR Reborn, Flowing from One Layer to the Next, UNTIL They BECINE SONTHING ENTIRY New.
The Beauty of Abstraction
Aram Jeejian’s Abstraction is not a review of the realty but a transformation of it. His Canvases Are Filled with Energy that Hovers Between the Seen and the Unseen, Much Like Clouds Shifting in the Sky. Formally Close to Abstract ExpressISM, his art also echoes minimalism Through Its Reports and Rhythm. Yet his Approach Remains Uniquely Personal: Musical and Alive with the IMMEDIIY of Nature. In abstract, he did not seek to make mysteries but to let them exist, vibrating with tenderness and force.
A. Beauty Both Tender and PowerFul
The works on View at Rebirth Beirut in Gemmayze Until October 11, Carry Titles Like Sunrise,, Willow Tree,, Coup de foudreand Summer Wind. They are not literal depictions but epicues, fragments of memory markeing every Ritual Completed. In their, Strength and Delicacy Coexist: Colors Breathe, Forms Float Between Prestnce and Disappeared, and Abstraction BEcomes An Embrace of All That is Fleeting. As Art Historian Fanny Dessartine Observed, JuGHINA’s “Ritual Speaks The Language of Heaven.”
An enduring lejacy
From Beirut to Paris, Musow to Dubai, ARAM JGHIAN’s Works Have Traveled Widely, Entering Public and Private Collections, Resonating Across Continess.
Yet this Exh force Feels Like a Homecoming, Not Just a Return to VISIBIICLI, but a center of his enduring Relevance. His “Daughters” on Again Stand in the Light, Alive with Beauty, Rhythm, and the Infinite Tenderness of their Creator.
