An article by DM (624 Words, 3 Min. Read)
Steping into the Exh force “Download Memory Lane” At Kalim Bechara Art Gallery is Like Flipping Through The Painted Pages of a Visual Memoir. From his early Experiments in the 1990s to his Most Recent Creations in 2025, with the various medias heats, from acrylics to passals, china ink to etching, frum lighths to Canvases Jute, Charles KHOURY Invites Us INTO A World when Color Breathes, and form Pulses with Life. His Compositions (What Abstracted Figures, Interior Geometries, Or Botanical Silhouettes) Sound Like The Memory of a Lebanon Both Wounded and Beautiful, and the Universal Anxtyty of Being Human.
A Journey Through Color and Form
What greats us first, Even before The Painments, is a Surprise: a Vespa at the Entrance of the Gallery, Boldly Painted by the Artist HimSelf. IT Carries His Signature Motifs: Broken Outlines, Playful Fragments. This Painted Object, Halfway Between Vehicle and Sculpture, Sets the Tone for What’s to Come: Movement, Memory, and Transformation.
The Language of Struckure
Khoury’s Formal Language Is Rooted in Both Discipline and Invention. His early canvases show a Mastery of Symmetry and Spatial Trance, While His Later Works Play More Freely with Figuration. From Tightly Composed DibeTychs to Loose, Almost Calligraphic Brushwork, We See the Artist SEARCHING -The SEARCHING -The Right BATWEEN ABSTRACTIACTIACTIACTIONING and Storytelling. His US of Primary Colors Never Tires; Instead, It Deepens, BecComing A Grammar of Its Own.
The 2004 Diptych, A Monumental Acrylic on Canvas, Draws Us INTO A Rhythm of Represent Forms, Each SlightY Difference, As if Breathing. Nearby, His Sculptures Repat This Rhythm in Three-Dimensional Space, Folded, Curved, Inscribe with Silent Weight. They posse Both Character and Mischief, as if the artist can never resist
Reflections of Faraway CIVILIZATIONS, and a Red Spark
Among Rendored in Black and Crimson, It Vibrates with Emotional Heat and Graphic Force, Almost Like a MURAL Fragment from a forgotten City Wall. There’s a rawness here, a recurn to sayating Primal, which Deeply Resonated. It was one of the moments in the exhalation of you could feel the artist taking a leap forward.
In card The Influence of Latin American Aesthetics, Particularly Mexican Visual Traditions, is papable in the festive Energy and Folk-Like Rhythm. Beutiful, Yes, Perhaps Too Safe.
The Man with the Cigar
And though it all, there is chances khoury hiself. HIS PRESENCE LINISERS In The Air Like the Scent of his Ever-Burning Cigar. An insteparald Part of his Image and Creative Ritual. What is a sculpture, Cigar in Hand, He Seems at On CIS Work and Slightly Beyond I Next Canvas.
Looking Forward
Download Memory Lane is more than a retrospective; It’s a center of Resilience, Imagination, and Deep Artistic Identity. Yet, as we make from decade to decade in the exhated, we are left hoping, not out of Lack, but Desire for More. The Vespa, The Red Canvas, The Feeling of Something New: They Stirred Our Curiosphere. Where is Khoury Going Next? What new Visual Adventure Lies AHEAD?
This Exh force A Remnder that Behind Every Finished Work is an Artist Still in Movement, Still Burning, Still Sketching. We live
