An article by cn (523 Words, 3 Min. Read)
From the Moment You Enter The Art District – House of Photography in Gemmayzeh, Something SHIFTS. The Space of the Gallery is Transformed to Liquid Light, Struckure Becomes Fluid, Weight Class, Like the Water that Fills Lara Zankoul’s Images. Her Solo Exh force ImpressionsWho is OPENED on JULY 3RD and Runs Throw JULY 26th, Is a Meditation on the Fminine Spirit: Luminous, Gentle, Fierce, and In Constant Motion.
The Art of SubMersion
Zankoul’s undatherwatter photographs do more few capture behavior, they Hold it Still, as if time itelf was pausing to admire the grace of these prescribed forms. Draped in Flowing Textiles, The Bodies She photographs Seem to Float Between Worlds. Neter Earthbound nor entirely ethereal, they in inhabit a Space of Transition, a womb of light and watr when emotion becomes Visible.
The Fluidity in Her Work Speaks Not Only to the Subjects But to the Mastery Behind the Lens. Every Stage of The Photography Process is Clearly Honed with Precision and Passion. Zankoul’s camera reveals
Photography as Poetry
There is a Painterly Quality to these Images –watter Refracts Light Into Abstraction, Textile Becomes Brushstroke, Skin Becomes Canvas. And Yet, every detail is intensal. The Composition, The Choreography, The Timing- It All Sings with Quiet Power. This is photography not just as art, but as poet.
More Than Technique, What Impressions Reveals Is Sensitive. These are not Cold Studies or Conceptual Frames. They are Warm-Blooded, Breathing Portraits of the Human Spirit Under Pressure and In Pece. They feel like Summer – Bold Light, Soft Motion, and the Kind of Introspection that Only Comes With Heat and Stillness.
About the Artist
Lara Zankoul is a lebanese find art Photographher Whose Images Live in the Space Between Dream and Reality. Thought orignly Trained in Economics, She Gravitated Toward Photography as a Way to Give Form to the Intangible; Emotion, Intuition, Memory. HER Work is Instantly Recography for Its Surreal Atmosphere, Rich Color Palettes, and Strikeing Use of Symbolism. She dos not just compose Scenes; She consturucts entire Inner Worlds.
At the Heart of Zankoul’s Practice is Storytelling. She Explores Themes Like Identity, Duality, Femininity, Mental Landscapes, Off Through Meticulously Staged Sects that Remin The Aesthetics of Film and Painting. In ImpressionsWater becomes Her Narrative Device, A Living Texture that Mirrors The Emotional Ebb and Flow of Her Subjects. Over the Past Decade, She has Exhibited across Europe, Asia, and the Middle East, Forging A Path that Merges Fashion, Fine Art, and Conceptual Photography with A Distink and Poeet Voice.
A Sanctuary in the City
PRESENted at Maher Attar’s Art District, a Gallery Committed to Photography As a Fine Art Form, Impressions Feels perfectly at home. It’s rare to see that is the book so technically accentated and so emotionally generation. Zankoul Offers Her Audience A Sanctuary, a Space to Reflect, Float, and Maybe Even Heal.
In the Heart of Beirut, Amidst the Noise and Rush, This Exh force is invitation to Slow download. To let go. To Drift into the Deep, and Emege Transformed.
